Monday, February 5, 2018

Where Writers Write: Judithe Little

Welcome to another installment of TNBBC's Where Writers Write!


Where Writers Write is a series in which authors showcase their writing spaces using short form essay, photos, and/or video. As a lover of books and all of the hard work that goes into creating them, I thought it would be fun to see where the authors roll up their sleeves and make the magic happen. 







This is Judithe Little.

Judithe grew up in Virginia and earned a Bachelor of Arts in Foreign Affairs from the University of Virginia. After a brief time studying in France and interning at the U.S. Department of State, she earned her law degree from the University of Virginia School of Law, where she was on the Editorial Board of the Journal of International Law and a Dillard Fellow. She is a member of the Historical Novel Society, Writer’s League of Texas, Houston Writers Guild, and the Churchill Society. She lives with her husband and three children in Houston, Texas, where she is a lawyer at Haynes and Boone. Wickwythe Hall is her first novel. Learn more at judithelittle.com.











Where Judithe Little Writes


Most writers work in an office or at the very least from a desk. Not me. I work curled up on the couch in the middle of my family room. You can find me there with my lap top on my lap, surrounded by dogs and kids going in and out. It might seem weird that my office is a couch and my lap is my desk, but my kids are growing up. My oldest is going to college next year. I want to write, but I want to be around them too while they’re still here. Maybe once they’re all gone, I’ll take over a bedroom. I’ll turn it into a real writer’s office with a real desk and a bulletin board on the wall with timelines and inspiring pictures. But I’m so used to being where the action is, it might be too quiet. I might not be able to get anything done.







Tuesday, January 30, 2018

C.R. Richards On "Being Indie"

On "Being Indie" is a blog series that introduces us to a wide variety of small press authors and publishers as they discuss what being indie means to them.





A huge lover of horror and dark fantasy stories, C. R. Richards enjoys telling tales of intrigue and adventure. Having began writing as a part-time columnist for a small entertainment newspaper, Richards has worn several hats: food critic, entertainment reviewer and cranky editor. She has now published a handful of novels, including Phantom Harvest - book one in The Mutant Casebook Series - which took home the EPIC eBook Award for Fantasy in 2014.  

Her most recent literary projects include the horror short story, Lost Man's Parish and the newly-released dark fantasy thriller, Pariah. She is an active member of Rocky Mountain Fiction Writers and Horror Writers Association.


In November, Richards released her epic dark fantasy novel The Obsidian Gates, the second installment in the Heart of the Warrior series. 











Answers to The Top Three Questions I Get from New Authors

Teaching writing workshops and participating on panels are a few “published author perks.” Public speaking is a wonderful opportunity for me to meet my readers as well as hopeful creatives pursuing their dreams. Writers’ conferences, library talks and Denver Comic Con. The faces are different, but the hope burning in each eye is the same. Being an unrepentant mentor at heart, I enjoy the opportunity to encourage these dreamers.

I’ve listed the top three questions I’m asked at my public speaking engagements. These answers are written in the spirit of mentorship. I hope they both inform and encourage.


Should I traditionally publish first before I try Indie Publishing?
My first book (co-author) and my first solo book where traditionally published by a small press. I’m grateful for the experience. Small presses are more likely to give first time authors a chance. They’re much more patient with inexperienced newbies as the manuscripts move through the publishing process. This special care, however, doesn’t follow you into the marketing phase once your book is out. Small presses have limited money to spend on publicity. Unfortunately, they can also be unstable. I’ve known many authors who find themselves out in the cold after their small press has shut down.

Back to the question: Despite the limited marketing funds and shaky fiscal ground, I would still recommend trying a small press first. A successful Indie Author must understand the publishing process. Working with a small press gives you some experience if your brand new to the publishing world.

Situations in which you might try Indie Publishing first:

·         You already know your way around the publishing world
·         You have experience managing a business
·         You have a nonfiction niche book which might be hard to sell to a publisher (Example: Fun Hobbies for Microbiologists)


What is the most expensive part of Indie Publishing?
Editing. Good editors aren’t cheap. They earn every penny and can make the difference between your book’s success or it’s fiery crash. If you’re serious about Indie Publishing, hire the best editor you can afford. Check their references. A bad editor means a bad book. Resist the impulse to go cheap. Getting your “friend’s mother’s cousin who reads a lot” to edit your book may not give you a good product.

My answer usually surprises the majority of workshop attendees. Most people think the book cover and design costs the most. New authors are still starry eyed about seeing their name on the book cover. Don’t get me wrong. It never gets old.


Why did you become an Indie Author if you’ve been traditionally published?
I learned one of life’s harshest lessons after my first solo book was published by a small press. They’d been very encouraging during the publishing process, but their interest level dramatically dropped once the book was out the door. The small press wasn’t prepared to pay one dime toward publicity or make any effort to send it out on blog tours. I’d naively assumed they would since it won a “Best Fantasy” award.


The harsh lesson: Nobody cares as much about your books as you do.

This particular small press had also tied my hands when it came to publicity and marketing. I was restricted to certain “pre-approved” groups and had no ability to put my book on sale for promotional purposes. The book didn’t sell well.

Frustrated and very disappointed, I decided to drive my own success. I self-published a short book and experimented with various types of marketing. After all, the book was completely mine. I could do whatever I wanted now. This little book sold more in the first few months than my traditionally published book has in its lifetime (even to date). It was all the proof I needed. I could be a successful Indie Publisher. Three books later, I’m still driving my own success.


Final Thought – Being an Indie Author comes with risks: money, time and reputation. It’s all on your shoulders. Take the time to learn the business, make good financial decisions and you’ll reap all the rewards. Now go and create!


One Last Thing – The Indie community is full of dedicated writers, musicians, film makers, artists and other creatives. Each of these mavericks lovingly create their art for all of us to enjoy. Give them a try. Support your local Indie Community!


Monday, January 29, 2018

Excerpt from The Full Vermonty


Readers, I think you know I've managed to steer clear from taking any sort of political stance on this blog over the years. Mostly because TNBBC focuses on literary fiction, but also because I feel book blogs should be safe spaces that don't push political or religious agendas at their followers. They should be places you and I turn to when real-life craziness threatens our sanities. 

Today, though, I am going to temporarily break my own rule and share a cartoon excerpt from The Full Vermonty, which released back in September with Green Writers Press, a Vermont-based, global publisher whose mission is to spread a message of hope and renewal. My good friend Ben Tanzer is the publicist for this title and I'm thrilled to be able to help him spread the word!

Readers, be warned.. if you are Trump supporter, you may wish to skip this post. Just sayin'.


Here we go....



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What was America thinking? Donald Trump as our president? You’re kidding, right? No, a nightmare is upon us. But take heart. Vermont will fight back. Life in Vermont is already “great.” We’ll be damned if we’re going to let a man who dyes his hair, cheats workers and has his products made in China, dictate to us how life should be.

The Full Vermonty is a collection of essays and cartoons from journalist Bill Mares and cartoonist Jeff Danziger, and leading progressive writers from across the state, all focused on trying to answer the following question: "What the hell do we do now?"


With the help of a score of Vermont writers and artists, their original literary duet became a chorus of intelligence, wit and passion. In addition,  the book has quizzes, relevant quotations from Vermont history, escape literature, a Vermont tool box, and more. Indeed, this book has all things necessary to flesh out a thump to The Trump!


Check out a cartoon excerpt:







“Most Vermonters heat a portion of the house or the year with wood. We treasure the old cast iron stoves which, although more inefficient than the new models, are still a link to the past. They generally look prettier. Heating with wood is renewable, local, organic and dual function in that they are a good place to dispose newspapers and cardboard, and old books. Except for this one.”


The Full Vermonty: Vermont in the Age of Trump Cartoonist, Jeff Danziger


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Raised in Texas, educated at Harvard, Bill Mares has been a journalist, a high school teacher and a member of the Vermont House of Representatives. He has authored or co-authored 15 books on subjects ranging from the Marine Corps to workplace democracy to Presidential fishing, plus four books of humor with Prof. Frank Bryan, including the best-seller, Real Vermonters Don't Milk Goats. He lives in Burlington, Vermont with his wife of 45 years, Chris Hadsel. They have two sons.

Jeff Danziger lives in New York City. He is represented by CWS Syndicate and the NY Times Syndicate. He is the recipient of the Herblock Prize and the Thomas Nast (Landau) Prize. He served in the US Army in Vietnam and was awarded the Bronze Star and the Air Medal. He has published eleven books of cartoons and one novel.


Thursday, January 11, 2018

Steph Post's Would You Rather

Bored with the same old fashioned author interviews you see all around the blogosphere? Well, TNBBC's got a fun, literary spin on the ole Would You Rather game. Get to know the authors we love to read in ways no other interviewer has. I've asked them to pick sides against the same 20 odd bookish scenarios.



Steph Post's
Would You Rather




Would you rather start every sentence in your book with ‘And’ or end every sentence with ‘but’?
‘And.’ I love starting sentences with this word anyway! It adds a cadence that really clicks with my brain for some reason. And (notice, I just used it there) I tend to hold to the school of thinking that everything said after the word ‘but’ is bullshit.

Would you rather write in an isolated cabin that was infested with spiders or in a noisy coffee shop with bad musak?
These are pretty much two of the worst places I could possibly imagine to be, let alone write in. If forced to choose, I suppose I’d have to go with the coffee shop. I do like coffee, at least.

Would you rather think in a language you could understand but write in one you couldn’t read, or think in a language you couldn’t understand but write in one you could read?
Jesus, who comes up with these questions? Thinking about it, the second choice sounds pretty interesting. I think it would be fascinating to not understand your thoughts at all until they had been written down. It would really add some gravity to the power of the written word.

Would you rather write the best book of your career and never publish it or publish a bunch of books that leave you feeling unsatisfied?
Both of these seem like pretty depressing options, but, in the end, it’s always about the writing. I’d much rather write something that truly satisfied me and told the story I wanted or needed to tell, even if I knew it would never be published. I don’t think I could live with myself if I knowingly published work that I would find unsatisfying. I’m my own worst critic, but I’m also my own best reader.

Would you rather have everything you think automatically appear on your Twitter feed or have a voice in your head narrate your every move?
A voice narrating everything in my head. Hell, I feel like I do this half the time already when I’m alone.

Would you rather your books be bound and covered with human skin or made out of tissue paper?
I think a book made of tissue paper would be rather pretty, actually. And the human skin thing freaked me out just thinking about it.

Would you rather read naked in front of a packed room or have no one show up to your reading?

I’ve had no one show up to a reading (or almost no one, that is) and it’s not so bad. I think that to pull off reading in front of packed room while naked, you would have to be very serious. And I’m never very serious at my own readings, so it would just be an awful, awkward mess.


Would you rather your book incite the world’s largest riot or be used as tinder in everyone’s fireplace?
Incite a riot. Definitely.

Would you rather give up your computer or pens and paper?
I could not imagine not being able to write with pen or paper. I write longhand far more than I use the computer.

Would you rather have every word of your favorite novel tattooed on your skin or always playing as an audio in the background for the rest of your life?

Actually, getting the entire text of The English Patient tattooed on my body doesn’t sound like a bad idea…


Would you rather meet your favorite author and have them turn out to be a total jerkwad or hate a book written by an author you are really close to?
I’d rather hate the book of someone I’m close to. They can always write more books. An asshole is an asshole.

Would you rather your book have an awesome title with a really ugly cover or an awesome cover with a really bad title?
This is a tough one. I’m such a visual person, so I’m tempted to go with the awesome cover. But then, the title comes from me, from the story itself and is so much more personal than the cover, which can often come from a publisher. I think an author can be forgiven for a bad cover, but not a bad title. So I’m going with awesome title-ugly cover.

Would you rather write beautiful prose with no point or write the perfect story badly?
If I wrote the perfect story, but wrote it badly, it would drive me crazy for the rest of my life. And sometimes beautiful prose with no point can make terrific poetry.

Would you rather write only embarrassingly truthful essays or write nothing at all?
If I couldn’t write, I couldn’t breathe. So that’s that.

Would you rather your book become an instant best seller that burns out quickly and is forgotten forever or be met with mediocre criticism but continue to sell well after you’re gone?
I think a lot of the books we call Classics, that still sell and are still in print, were considered mediocre (or even terrible) when they first came out. Their authors never had a hint of success and died starving. And look where those books are now. I would hate to be forgotten forever.



~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Steph Post is the author of the novels Walk in the Fire, Lightwood and A Tree Born Crooked. She graduated from Davidson College as a recipient of the Patricia Cornwell Scholarship for creative writing and a winner of the Vereen Bell writing award for fiction. She holds a Master’s degree in Graduate Liberal Studies from the University of North Carolina Wilmington. Her short fiction and poetry have most recently appeared in in Haunted Waters: From the Depths, Foliate Oak, Kentucky Review, Vending Machine Press, Nonbinary Review and the anthology Stephen King’s Contemporary Classics. She is a regular contributor to LitReactor and has published numerous book reviews and author interviews. She has been nominated for a Pushcart Prize, a Rhysling Award and was a semi-finalist for The Big Moose Prize. She lives in St. Petersburg, Florida.

Website: www.stephpostfiction.com; Twitter: @stephpostauthor
Instagram: stephpostauthor; Facebook: stpostvegas

Monday, January 1, 2018

Our 2018 RWTFYW Reading Challenge




Happy 2018 everyone! 

Instead of creating another painstakingly gorgeous-in-theory-but-ultimately-unachievable reading list, this year I thought it would be all kinds of fun to just read whatever the fuck we want whenever the fuck we want to and enjoy every fucking minute of it. 

But I couldn't exactly name the reading challenge Read Whatever The Fuck You Want Whenever The Fuck You Want To and Enjoy Every Fucking Minute Of It, so I decided to shorten it. 

Thus, RWTFYW!!!


The rules are as ridiculously simple or as frustratingly difficult as you want them to be. You set your goals, or go goaless! You set your reading parameters, or say screw parameters! 

It's whatever the fuck you want to make it!!!

If you want us to follow you along on your RWTFYW reading challenge, create a new topic for your challenge in this folder, and let us know what and how you'll be reading, and we promise to cheer you on every step of the way!!!

GO, readers GO!!!! 



(I think this is my most brilliant reading challenge ever, mwahahaha!)




Saturday, December 23, 2017

Tis the Season for Like A Champion


This coming February, Vincent Chu will be releasing his debut short story collection, Like a Champion, with 7.13 Books. 
Get this book on your wishlist now!!


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Vincent says Like a Champion pairs well with a gin martini and olives

1. Simple but easy to screw up
2. Classy with a scent of trying-too-hard
3. Smooth though also not smooth
4. Best enjoyed in quick, frequent sips
5. Ends with a salty but satisfying taste in your mouth



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Vincent Chu’s debut story collection is funny and big-hearted, imbued with a generosity and warmth that reminds us that moments of glory can happen when we least expect it. In eighteen stories that shine a light on people far from champions, Like a Champion is an ode to underdogs and long shots, disappointed worker bees and hopeful lovers, sad office parties and one-sided basketball games. In the words of Kirkus Reviews, "Chu finds ways to turn the everyday into the revelatory."



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Vincent Chu was born in Oakland, California. His fiction has appeared in PANK Magazine, East Bay Review, Pithead Chapel, Fjords Review, Cooper Street, Stockholm Review, Chicago Literati, Forth Magazine, The Collapsar and WhiskeyPaper. He has been nominated for the Pushcart Prize and Sundress Publications Best of the Net. Like a Champion is his debut collection. He can be found online at @herrchu and www.vincentchuwriter.com.


You can pre-order Like a Champion, available everywhere February 28.

Friday, December 22, 2017

Tis the Season for Travels and Travails of Small Minds



Daniel Falatko released Travels and Travails of Small Minds back in back in October with Ardent Writers Press. 
You can grab yourself a copy here



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Trials and Travails of Small Minds follows the sideways trajectory of an unambitious career temp worker occupying the most nowhere of nowhere jobs. Nathan spends many a hungover morning and afternoon fetching coffee for his senile slumlord boss in a dust-choked office on the Lower East Side of Manhattan. Between gossiping with his lone co-worker in their dangerously untidy office, hanging with a drug-addled neighbor, and dealing with a jealousy-ridden girlfriend, Nathan stumbles headfirst into a clumsy property scam which finds him unknowingly at the center. 

With a cast of characters including a dead beatnik legend, an eccentric and pompous collector of the beatnik's works, a new love interest in the form of a tenant with unclear intentions, and a network of sociopathic former literature professors, a saga unfolds over eight days in August which sends Nathan careening through lower Manhattan, Brooklyn, the suburbs of England, and Beyond in a swirl of comedic intrigue.



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"Travels and Travails of Small Minds is hilarious,entertaining, and weaves a compelling mystery." - Ben Arzate

"You won't read many books like this one, but you'll wish you could." - The Irresponsible Reader

"...a wild mind-trip. Falatko has an interesting take on the world and it’s worth exploring." - Shelf Stalker

 "Falatko has a talent for rich, strange detail and keeps us engaged." - Alternating Current's The Coil



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Daniel Falatko is the author of a previous novel, Condominium. He is a graduate of the MFA in Writing program at Vermont College of Fine Arts. He lives in New York City.

Thursday, December 21, 2017

Tis the Season for The Glamshack


Paul Cohen released his debut novel, The Glamshack, back in June with 7.13 Books. It appeared in B&N's list of 10 debut novels for your Autmn Reading!

You can snag yourself, and your most beloved ones, a copy here. 






Here's a taste of what you'll find inside: 





What is it about Her particular brand of loveliness that turns old Henry to tapioca? She’s not delicate featured, not in the least. She’s got a big, strong jaw, hands that are almost manly, packaged cleavage and lioness hair. The hands remind Henry of his mother’s, no-nonsense, get-the-job-done hands. The jaw and cleavage and hair play superbly with the bearing, which is unhurried, regal, bemused. Her manner is this: you tickle me mildly. And—and this is what turns old Henry to tapioca--She seems to need enchanted moments as much as He does. What’s more, She seems to see enchantment in him. Which makes old Henry feel downright lovely. Even divine.



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Paul Cohen's fiction has appeared in Tin House, Five Chapters, Hypertext and Eleven Eleven. He won the Prairie Lights Fiction Contest (judged by Ethan Canin), was a finalist in a Black Warrior Review Fiction Contest, received an Honorable Mention in the Glimmer Train Spring 2017 Fiction Open and was named a finalist for the 2016 Big Moose Prize for his novel-in-progress, The Sleeping Indian. His nonfiction has appeared in The New York Times Magazine, Details, the Village Voice and others. A graduate of the Iowa Writers' Workshop, where he won a teaching scholarship, he taught writing at UC Berkeley Extension, the University of San Francisco and the University of Iowa. He lives in Boulder, CO.



Wednesday, December 20, 2017

Andrew Hilbert's Smallpressmas Guide

Yes. I was lamenting a bit on Twitter the other day about the lack of representation for amazing small press books around the holidays. So many of the big name magazines had 'best of the year' lists that just recycled the same handful of titles - Lincoln in the Bardo; Sing, Unburied, Sing; and Exit West, to name a few. Not that those books aren't worthy of the attention that they've acquired. I'm sure they are outstanding, intriguing, and powerful titles. And rather than get all soap-boxy about it, I decided to try a friendly call to arms - I challenged small press authors to consider giving a shout out to other small press authors this holiday season. To help spread the word about the glorious underdogs... the underread but just-as-equally-amazing independent titles that wowed them this year.

Andrew Hilbert was the first to answer my call.



Behold... his small press holiday gift guide!




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Hey! You! You're buying people books for the holidays, aren't you? Why don't you buy a gift for TWO people at ONCE with only ONE gift? Holy cow. What dark arts am I evangelizing for now, you ask. 

Buy small press books.

For one, the stuff you read from a small press is infinitely more exciting than whatever shopping list Jonathan Franzen has written onto his Fruit of the Looms and sent to his publisher. For two, you're not only giving somebody a great readable and shareable gift, you're also giving money to small presses and small press authors just by buying the damn thing. You're killing two birds with one paperback. It's a Christmas miracle.


Here's what I think you should buy for yourself or for someone else.




1. Heathenish by Kelby Losack, published by Broken River Books - Heathenish is a smooth as cough sizzurp tale of fucking up and wandering through near-criminality. Redemption comes, as it always does. Losack displays a true storyteller's economy of words - nothing is wasted, nothing is extra, everything is a gut shot. Read it. Give it to somebody as a present. It's good.

2. The Nightly Disease by Max Booth III, published by Perpetual Motion Machine Publishing - Max Booth III is the funniest writer publishing today. After being screwed by another small press (it happens. It's happened to more of us than we like to admit), Max decided to publish this novel himself and I'm glad he did. The new cover by Matthew Revert is phenomenal and the book is just as funny as it ever was. This was by far the funniest and darkest book I read this year. 

3. Quizzleboon by John Oliver Hodges, published by Perpetual Motion Machine Publishing - It's hard to explain this book. It's a hillbilly gospel. It's funny as hell. It's fast paced and as soon as I read the phrase, "pussy crust," I knew the book was for me. If you have some asshole in your life that will find that funny, this is the book for them. No kidding. 

4. The Snake Handler by J David Osborne and Cody Goodfellow, published by Broken River Books - It's like if Harry Crews wrote Feast of Snakes as an action flick. It's a quick read and it's fun as all hell. I'm looking forward to whatever this collaboration puts out next.

5. Itza by Rios de la Luz, published by Broken River Books - My small press tastes are very Texas centric. I'm a lazy person and I find it very hard to get engrossed in online social circles with people I'll likely never meet. You'll notice every book I've picked is from a Texas publisher. There's reason for that. I'm able to go see the events they put on because they are within a five mile radius of where I live. That's not to say I don't read other publishers, I just read things I've purchased from an actual person with more priority than books I order from a robot named Amazon. That being said, Itza is a great, surreal tale told like it was a story passed on throughout generations. The imagery is vivid and exciting. 




The world is crazy, folks. Why are we spending money on the same old titans of industry who have always tried to dictate cultural tastes? The truth, the excitement, the intensity is at small press level. A few weeks ago there was an article asking about where all the working class writers were. You've got to have your eyes closed if you can't find them. They're right here. They're working at regular jobs and writing for just as many hours. Support them. Share them. Happy holidays and merry Smallpressmas. 


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Andrew Hilbert is the author of Invasion of the Weirdos and his ongoing audio novella DEERMAN at patreon.com/ahilbert. Keep up with him at hilbertheckler.com and @ahilbert3000 on Twitter.

Tuesday, December 19, 2017

Tis the Season for Planet Grim



Alex Behr released her debut, the story collection Planet Grim, back in October with 7.13 Books. 
You can purchase a copy, and purchase a copy you should, here




Alex says the book goes great with a shot of Tequila!


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The introduction at Alex's Dead Rabbits Reading: 

In her essay, “Wet,” Alex Behr writes: “I have books and fabric scraps. I have dead friendships and active stomach bacteria. Famous people never email back anymore.” Honest writing so often juxtaposes what is there to say with what we want to say. It places our dead friendships next to our stomach bacteria. It places our sorrow next to everything that holds and surrounds such sorrow. Alex Behr’s writing does this so well, and as such, it creates out of deep internal sorrow a kind of humor, joy, and hope, even as it moves deeper inward. By enacting the literal heartbeat on the page, with a writing that pulses and quivers even as it describes and moves, Alex gives us literal and lyrical life. “We’re a little rough. It’s OK,” Alex writes in one of her stories. And we are, and it is. And Alex’s writing enacts that roughness – reading it is less like reading a book and more like coming to terms. 

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From her interview with Emily at Fiction Writer's Review: 

"Behr’s work is full of this freaky, casual sorcery. The stories are by turns funny, grimy, and compelling. Her characters betray themselves and each other at every turn, yet it’s impossible not to care about them because they feel so honestly, messily human."





Alex Behr is a writer, editor, and writing instructor in Portland, OR. Her writing has appeared in Tin House, Utne Reader, Oregon Humanities, Portland Review, Propeller Quarterly, and others. Alex Behr’s debut collection, PLANET GRIM, was published by 7.13 Books in October 2017.

Monday, December 18, 2017

Bronwyn Reviews:We

We by Laura S. Distelheim
Publisher: Goldline Press
Released: 2017




Reviewed by Bronwyn Mauldin





We is a book about wanting. Wanting to live a safe, normal, everyday life. It is about people who live just outside the range of vision of too many Americans, invisible in plain sight every day.

The story opens with a black van taking a freeway exit into a suburb somewhere in the Midwest. The side of the van reads Immigration and Customs Enforcement. The appearance of this van, as Laura S. Distelheim has structured her book, is the “call” and the rest of the book – a series of interconnected short stories – the “response” of a blues ballad. The response echoes through the lives of people terrified by the appearance of the ICE van in their community. They stay home rather than go to work or school. The response reverberates further through the lives of people oblivious to the van, whose wants are disrupted when their students, bakers, painters and balloon blowers disappear.

We is a short chapbook. In less than 50 pages Distelheim gives an intimate view inside the lives of people who live on a knife edge. We see their apartments and their schools; we see the children they keep close and the children they left back home. We feel their want, their hopes and their fear:

“…it’s easier to feel anger than it is to feel fear, which she can’t ever seem to figure out how to live with all the time, the way it ties her heart into a knot and makes her feel like there’s a wild animal trapped inside her rib cage.”

The premise of We is reminiscent of Sergio Arau’s 2004 film, A Day Without a Mexican. Where Arau used satire to show how undocumented migrants are inextricably interwoven into America’s economic and social fabric, Distelheim uses pathos. Her stories of the immigrants themselves are the most compelling; some are absolutely heartbreaking. A frightened mother shouts at her little boy for making too much noise, then tries to coax him out of his terrified corner. A young man fills his long day in hiding doing repairs around the garage he lives in with his mother because he can’t go to the library to look up whether he’s been accepted to college.

Chapbooks are a terrific alternative to social media. They’re small and lightweight enough to slip into a bag or even a pocket. They’re a great length for reading in line at the coffee shop or while waiting for friends. They’re perfect for a bus or train ride home. The best ones, like We, are tightly written and pack a powerful punch. As you finish this book, take a moment to ask yourself, who are “we?”



Bronwyn Mauldin is the author of the novel Love Songs of the Revolution and quite a few short stories. She's also creator of The Democracy Series zine collection. More at bronwynmauldin.com.


Friday, December 15, 2017

Tis the Season for Mr. Neutron







Joe Ponepinto's debut novel Mr. Neutron will be published by 7.13 Books in March. 
But don't let the fact that it's not out yet stop you from getting in to the holiday spirit!





The book goes great with Drunk Jack Frosties




Ingredients
·       1 c. vodka
·       1 c. Champagne
·       1/2 c. Blue Curacao (replace with Tequila for a Drunk Monterey Jack Frosty)
·       1/2 c. lemonade
·       3 c. ice
·       Lemon wedge
·       white sanding sugar



Directions
1.     In a blender, combine vodka, champagne, blue curacao, lemonade and ice. Blend until combined.
2.     Run a lemon wedge around the rim of each glass then dip in sanding sugar.
3.     Pour frosties into rimmed glasses and serve immediately.



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In the smallish American city of Grand River, things are not so grand. The river is hopelessly polluted. City officials are in the pockets of oligarchs. And its best hope for meaningful change is a platitude-spouting eight-foot giant named Reason Wilder running for mayor.

Gray Davenport, a veteran political operative, isn’t faring much better than his hometown. His wife is about to leave him. He’s working for a mayoral candidate who has no chance to win and who can’t even pay for Gray’s services. When Gray notices that Reason may not be human, Gray embarks on a quest to uncover the truth about Reason’s mysterious origins, and the truth promises to change Grand River and Gray forever.

A satirical mashup of Frankenstein and Veep, Mr. Neutron is a hilarious genre-bender that speaks to the unpredictable nature of American politics today.




Joe Ponepinto is the founding publisher and fiction editor of Tahoma Literary Review, a nationally-recognized literary journal that has had selections reproduced in Best American Poetry, Best American Essays, Best Small Fictions, and other notable anthologies. His novel, Mr. Neutron, will be published by 7.13 Books in spring 2018. He is the winner of the Tiferet: Literature, Art & the Creative Spirit 2016 fiction contest, and has had stories published in dozens of other literary journals in the U.S. and abroad. A New Yorker by birth, he has lived in a dozen locations around the country, and now resides in Washington State with his wife, Dona, and Henry the coffee-drinking dog.

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If you're interested in reviewing Mr. Neutron, please email me at mescorn@ptd.net. 
We'd love to send you a digital arc!!

Thursday, December 14, 2017

Tis the Season for Gunmetal Blue



Gunmetal Blue releases tomorrow with Tortiose Books. It showcases Joseph G. Peterson at his inimitable best. It's delightfully absurd and horrifyingly plausible, a sad and funny look at what happens when our airy fantasies become gritty reality, and when that reality in turn falls apart into madness and nightmares.Consider picking it up this holiday season!



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The guys in Gunmetal Blue are looking for some type of transcendence to lift them above the existential difficulties they find in just being alive on the planet. To that end, they like to shoot guns at the gun range; they like to go to the horse track; they fish and probably more than the should, they drink and grieve.




Pair Your Reading of Gunmetal Blue 
with a MARTINI



1. A martini is a crystalline snowcapped mountain that you can ski with your eyes closed.

2. The winter air is scented with the smell of pine and your hair is blown back and your eyes are squinting against all the hurt you've ever known.

3. You proceed zigging and zagging down the slope to the sea-washed margins of the glass where the salt-brined olives await and dolphins swim in a sad pink light.

4. God, you feel like a giant!


5. God!





Joseph G. Peterson is the author of six novels and a short story collection. As a kid he ran through the fields with his brothers chasing rabbits; he fished ponds and rivers for carp; he played kick the can with the neighborhood kids. And then he matriculated to the University of Chicago where he received his BA in General Studies. He tended bar when you could smoke cigars in bars; he labored for the bricklayers who threw bricks at him for quoting poetry on the scaffolds. He still reads Wordsworth and Yeats. He lives in Chicago with his wife and two daughters.

His work has appeared in Banango Street, Akashic Books, Disembodied Text, Anthology of Chicago, Exquisite Corpse, New Millennium Writings, and other journals.